Archive | September, 2012

Lighting for Film & TV: Colour Correction Filters Pt 2: How To Use Them

17 Sep

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Colour Correction Filters
How To Convert Tungsten to Daylight

Hello everybody. First of all, as I’m sure you’re aware, I’ve not posted a blog in quite a while. I must apologise but I’ve been incredibly busy over the past few weeks (filming left, right and centre), but I’ve had a bit of time recently so thought I’d continue with the series! Hope you guys enjoy it, be sure to leave a comment or get in touch on facebook/twitter!

Ok so this is the second blog all about colour correction, if you haven’t read the first one, here it is . If you have read the first one I hope you now have a very basic understanding of Colour Temperature. So, where do we go from here? Well there are two forms of colour correction, colour correction in camera (known as White Balance) and colour correction in lighting.

Colour correction in camera is something we’ll discuss another time, for now let’s concentrate on Colour Correction in lighting.

Daylight Colour Correction

First things first. Basically there are 3 types of lights that we use in the film and TV industry: LED, Tungsten and HMI Lighting.

LED lighting will be covered in a separate blog but for now I want you to explain the difference between Tungsten and HMI Lighting, before I go on to look at how we  convert Tungsten light into daylight…

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