Archive | December, 2012

Lighting for Film & TV: Colour Correction Filters Pt 4: Effects

2 Dec

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Effects Filters: What They Do and How To Use Them

OK now you know the basics of colour correction filters let’s talk a little about effects filters. These differ from colour correction filters in that they are designed to create a specific mood when lighting a scene.

Now before we begin I just want to get something off my chest: a lot can be, and is done, in the grading stages of production to help bring out a visual style of a film/documentary BUT – it’s important to remember that lighting with a certain style in mind, i.e. lighting with purpose, will give you much greater results and much more to work with when you get into your grade.

effects_gels_thumbFor example: Want to enhance that backlight to make it bluer in the grade? If you’ve lit the scene with balanced “white light” you might find it hard to isolate the specific source you’re looking for. By having distinct colours in your raw footage it will allow you to select and enhance/desaturate elements quickly and easily in your grade. You can achieve this using gels or mixed colour temperatures. Make sense? Good. So let’s get to it.

In this blog I’ll show you three commonly  used gels to help:

i. Create Flattering Lighting
ii. Replicate Moonlight
iii. Replicate Sunset

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